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d'Eadweard Muybridge composée de 12 photos décomposant le mouvement du galop d’un cheval. </image:caption></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2017/01/1.jpg</image:loc></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2017/01/2.jpg</image:loc><image:caption>...ou la déréalisation du monde</image:caption></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2017/01/3.jpg</image:loc><image:caption>Image dans l'image...</image:caption></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2017/01/4.jpg</image:loc></image:image><lastmod>2020-04-27T14:23:30+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://yoannhervey.com/enseignements/initiation-a-lanalyse-filmique/</loc><lastmod>2020-04-27T14:18:12+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://yoannhervey.com/enseignements/analyse-et-interpretation/azulys-1/</loc><lastmod>2020-03-30T14:45:12+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://yoannhervey.com/enseignements/analyse-et-interpretation/faire-du-sens-tout-de-meme-de-jacques-aumont/</loc><lastmod>2020-03-27T16:32:45+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://yoannhervey.com/enseignements/analyse-et-interpretation/azulys-2/</loc><lastmod>2020-03-27T13:58:22+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://yoannhervey.com/enseignements/initiation-a-lanalyse-filmique/la-description-ou-linvention-des-faits-de-jacques-aumont/</loc><lastmod>2020-03-09T17:05:08+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://yoannhervey.com/enseignements/etudes-doeuvres-terrence-malick/etude-de-days-of-heaven-1978/</loc><lastmod>2020-02-26T13:56:48+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://yoannhervey.com/enseignements/initiation-a-lanalyse-filmique/contribution-au-probleme-de-la-description-doeuvres-appartenant-aux-arts-plastiques-et-a-celui-de-linterpretation-de-leur-contenu-derwin-panofsky/</loc><lastmod>2020-02-06T13:18:02+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://yoannhervey.com/enseignements/methodologie-ecrire-decrire/informations-pratiques-et-synthese-du-cours/</loc><lastmod>2020-02-03T14:42:19+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://yoannhervey.com/enseignements/analyse-et-interpretation/</loc><lastmod>2020-01-29T14:03:50+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://yoannhervey.com/enseignements/initiation-a-lanalyse-filmique/le-vocabulaire-technique-theorique-critique-du-plan/</loc><lastmod>2020-01-28T15:10:05+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://yoannhervey.com/enseignements/histoire-du-cinema-japonais/bibliographie/</loc><lastmod>2020-01-28T15:02:03+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://yoannhervey.com/enseignements/cinema-et-philosophie/les-critiques-philosophiques-du-cinema-adorno-horkheimer-et-bergson/</loc><lastmod>2019-10-14T17:14:48+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://yoannhervey.com/enseignements/cinema-et-philosophie-2/</loc><lastmod>2019-10-02T08:58:56+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://yoannhervey.com/enseignements/cinema-et-philosophie/</loc><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2016/08/gilles_deleuze1.jpg</image:loc><image:title>gilles_deleuze</image:title></image:image><lastmod>2019-09-16T08:58:14+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://yoannhervey.com/enseignements/projet-pedagogique-personnalise-ppp/methodologie-de-la-dissertation/</loc><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2017/11/le-concours-le-documentaire-qui-denonce-l-entre-soi-du-cinema-francais.jpg</image:loc></image:image><lastmod>2019-09-10T16:09:28+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://yoannhervey.com/enseignements/etudes-doeuvres-terrence-malick/etude-de-the-tree-of-life-2011-2/</loc><lastmod>2019-09-02T16:30:21+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://yoannhervey.com/2017/08/27/biographie-terrence-malick-2nd-partie-1979-1998/</loc><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2017/08/13.jpg</image:loc><image:caption>Page de garde du scénario de "The Thin Red Line" (version datée du 3 octobre 1996) annotée par Terrence Malick</image:caption></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2017/08/terrence-malick-witt-jim-caviezel-thin-red-line1.jpg</image:loc><image:caption>Jim Caviezel</image:caption></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2017/08/tm09.jpg</image:loc><image:caption>Terrence Malick sur le tournage de "The Thin Red Line"</image:caption></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2017/08/the-thin-red-line1.png</image:loc><image:caption>Image liminaire de "The Thin Red Line"</image:caption></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2017/08/2014111804560871406.jpg</image:loc><image:caption>Affiche du film de K. Mizoguchi "L'Intendant Sansho"</image:caption></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2017/08/terrydinner.jpg</image:loc><image:caption>Terrence Malick, sa femme Michèle Morette, John Roberdeau et Robert Geisler en 1992</image:caption></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2017/08/joseph_merrick_carte_de_visite_photo_c-_1889.jpg</image:loc><image:caption>Joseph "John" Merrick, surnommé "Elephant Man"</image:caption></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2017/08/elephant_man.jpg</image:loc><image:caption>Affiche du film de D. Lynch "Elephant Man"</image:caption></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2017/08/gettyimages-155313402-1483467803.jpg</image:loc><image:caption>Terrence Malick (Photo by Gary 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d'or</image:title></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2016/01/fdf77643e0d14c226e1d1e033d90e1.jpg</image:loc><image:title>fdf77643e0d14c226e1d1e033d90e</image:title></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2016/01/permis-conduire.jpg</image:loc><image:title>Permis conduire</image:title></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2016/01/fdf77643e0d14c226e1d1e033d90e.jpg</image:loc><image:title>fdf77643e0d14c226e1d1e033d90e</image:title></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2016/01/scorsese-2.jpg</image:loc><image:title>scorsese-2</image:title></image:image><lastmod>2018-05-29T10:27:20+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://yoannhervey.com/2016/06/14/analyse-black-swan-de-darren-aronofsky/</loc><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2016/05/black-swan-293.jpg</image:loc><image:title>black-swan-293</image:title></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2016/05/vlcsnap-2016-05-02-16h36m34s172.png</image:loc><image:title>vlcsnap-2016-05-02-16h36m34s172</image:title></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2016/05/vlcsnap-2016-05-02-16h36m28s107.png</image:loc><image:title>vlcsnap-2016-05-02-16h36m28s107</image:title></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2016/05/vlcsnap-2016-05-02-16h36m01s95.png</image:loc><image:title>vlcsnap-2016-05-02-16h36m01s95</image:title></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2016/05/vlcsnap-2016-05-02-16h35m27s12.png</image:loc><image:title>vlcsnap-2016-05-02-16h35m27s12</image:title></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2016/05/vlcsnap-2016-05-02-16h35m17s171.png</image:loc><image:title>vlcsnap-2016-05-02-16h35m17s171</image:title></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2016/05/vlcsnap-2016-05-02-16h35m09s96.png</image:loc><image:title>vlcsnap-2016-05-02-16h35m09s96</image:title></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2016/05/vlcsnap-2016-05-02-16h34m47s115.png</image:loc><image:title>vlcsnap-2016-05-02-16h34m47s115</image:title></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2016/05/vlcsnap-2016-05-02-16h34m34s234.png</image:loc><image:title>vlcsnap-2016-05-02-16h34m34s234</image:title></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2016/05/vlcsnap-2016-05-02-16h33m55s113.png</image:loc><image:title>vlcsnap-2016-05-02-16h33m55s113</image:title></image:image><lastmod>2018-05-29T10:22:04+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://yoannhervey.com/2016/10/03/critique-et-nietzsche-a-pleure-dirvin-d-yalom/</loc><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2016/09/1lou.jpg</image:loc><image:title>1lou</image:title><image:caption>Lou Salomé</image:caption></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2016/09/sigmund_freud_life.jpg</image:loc><image:title>sigmund_freud_life</image:title><image:caption>Sigmund Freud</image:caption></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2016/09/sanstitre30.jpg</image:loc><image:title>sanstitre30</image:title></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2016/09/jose-breuer.jpg</image:loc><image:title>jose-breuer</image:title><image:caption>Josef Breuer</image:caption></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2016/09/lousalomc3a9.jpg</image:loc><image:title>lousalome</image:title></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2016/09/9782253129455-t.jpg</image:loc><image:title>9782253129455-t</image:title></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2016/09/o-friedrich-nietzsche-facebook1.jpg</image:loc><image:title>'Superman': Friedrich Nietzsche, German philosopher, 19th century (1956).</image:title><image:caption>'Superman': Friedrich Nietzsche, German philosopher, 19th century (1956). Nietzsche (1844-1900) put forward the idea of the Übermensch (Superman) as an objective for humanity to aspire to in his book Thus Spoke Zarathustra, published in 1883. From the Picture Post Library. A print from 'Ideas, a volume about the origin and early history of many things, common and less common, essential and inessential', by Readers Union The Grosvenor Press, London, 1956. (Photo by The Print Collector/Print Collector/Getty Images)</image:caption></image:image><lastmod>2018-05-29T10:20:32+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://yoannhervey.com/2016/12/20/dire-le-naitre-une-gageure-philosophique-et-litteraire/</loc><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2016/12/welcome-to-copie-1.jpg</image:loc><image:title>welcome-to-copie-1</image:title></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2016/12/yc8wb1.jpg</image:loc><image:title>yc8wb</image:title></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2016/12/la-naissance.jpg</image:loc><image:title>la-naissance</image:title><image:caption>La naissance d'Aurélie Mantillet 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</image:caption></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2017/02/3.jpg</image:loc><image:caption>Vidéogramme extrait de « The Tree of Life » </image:caption></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2017/02/terrence-malick_1.jpg</image:loc></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2017/02/terrence_malickddd.jpg</image:loc><image:caption>Malick sur le tournage de « Badlands » </image:caption></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2017/02/malick_days_of_heaven.jpg</image:loc><image:caption>Malick sur le tournage de « Days of Heaven » </image:caption></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2017/02/vermeer-la-laitiere-1660.jpg</image:loc><image:caption>« La Laitière » de Johannes Vermeer (1657-1658)</image:caption></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2017/02/wyeth-web2.jpg</image:loc><image:caption>« Christina’s world » d'Andrew Wyeth (1948) </image:caption></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2017/02/terrence_m.jpg</image:loc></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2017/02/malick_1969_translor_introduction.jpg</image:loc><image:title>malick_1969_translor_introduction</image:title><image:caption>« Note liminaire du traducteur » de Terrence Malick, in « The Essence of Reasons », Martin Heidegger, Evanston, Northwestern University, 1969, p. xi</image:caption></image:image><lastmod>2018-05-29T10:14:05+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://yoannhervey.com/recherche/journee-detude-jodorowsky-circulations-artistiques/</loc><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2018/03/capture-d_ecc81cran-2018-03-31-acc80-12-55-21.png</image:loc></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2018/03/affiche_jodo.jpg</image:loc></image:image><lastmod>2018-05-11T14:27:06+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://yoannhervey.com/enseignements/projet-pedagogique-personnalise-ppp/consignes-dossier-metier/</loc><lastmod>2018-04-08T10:39:48+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://yoannhervey.com/enseignements/les-cineastes-et-les-images/</loc><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2017/09/1280x720-3xv.jpg</image:loc></image:image><lastmod>2018-03-25T20:59:36+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://yoannhervey.com/contacts/</loc><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2015/05/film-wim-wenders-paris-texas-face-transpostion.jpg</image:loc><image:title>film-wim-wenders-paris-texas-face-transpostion</image:title></image:image><lastmod>2018-03-10T00:50:15+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://yoannhervey.com/presse/la-gazette-de-montpellier/</loc><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2015/06/1890_001-page-001.jpg</image:loc><image:title>1890_001-page-001</image:title></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2015/06/page_0001-page-001.jpg</image:loc><image:title>page_0001-page-001</image:title></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2015/06/une.jpeg</image:loc><image:title>une</image:title></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2015/06/1409-screen-41-48-001.jpg</image:loc><image:title>1409-screen-41-48-001</image:title></image:image><lastmod>2018-03-10T00:30:08+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://yoannhervey.com/enseignements/initiation-a-lanalyse-filmique/le-vocabulaire-du-cinema/</loc><lastmod>2018-02-02T17:19:50+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://yoannhervey.com/enseignements/esthetique-du-cinema/le-montage/</loc><lastmod>2018-02-02T16:36:40+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://yoannhervey.com/enseignements/esthetique-du-cinema/le-cinema-comme-representation-audiovisuelle/</loc><lastmod>2018-01-29T18:26:59+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://yoannhervey.com/enseignements/esthetique-du-cinema/controverse-sur-le-realisme-cinematographique/</loc><lastmod>2017-11-20T22:12:18+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://yoannhervey.com/enseignements/esthetique-du-cinema/quest-ce-quun-acte-de-creation-cinematographique/</loc><lastmod>2017-11-18T18:19:15+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://yoannhervey.com/enseignements/esthetique-du-cinema/</loc><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2017/11/rencontres-du-troisieme-type1920x720.jpg</image:loc></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2017/11/inland-empire-film-cinema-critique-lynch.jpg</image:loc></image:image><image:image><image:loc>https://yoannhervey.com/wp-content/uploads/2015/09/26.jpg</image:loc><image:title>26</image:title><image:caption>Ceci n'est pas une photo ! 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